Ad
related to: microphone pickup technique reviews video youtube download
Search results
Results From The WOW.Com Content Network
Degree of directionality of pickup: in some settings, such as a home video of a birthday party, the person may wish to pick up all the sounds in the room, making an omnidirectional mic desirable. However, if a TV news crew is filming a reporter at a noisy protest, they may only wish to pick up her voice, making a cardioid mic more desirable.
The pickup patterns of the pair, combined with their positioning, delivers a high degree of stereo separation in the source signal, as well as the room ambiance. The Blumlein pair produces an exceptionally realistic stereo image, but the quality of recordings is highly dependent on the acoustics of the room and the size of the sound source.
Block diagram of the signal-flow for a common feedback loop [1]: 118 . Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup).
Double MS recording is an audio recording technique used to record surround sounds using three microphones. The mid mic usually a cardioid mic, the sides using a figure of 8 mic, and the rear using another cardioid mic. This is usually used for recording ambiance sounds and not live music.
Proximity effect can be viewed in two ways. In some settings, sound engineers may view it as undesirable, and so the type of microphone or microphone practice may be chosen in order to reduce the proximity effect. On the other hand, some microphone users seek to intentionally use the proximity effect, such as beat boxing singers in hip hop music.
ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF).
A conventional microphone placed on, or a few inches above, a hard boundary surface will pick up the desired direct sound as well as delayed sound reflecting off the boundary surface. The direct and delayed reflected sounds will combine at the microphone to create comb filtering , with constructive and destructive interference causing peaks and ...
Pages for logged out editors learn more. Contributions; Talk; Microphone pick up patterns