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  2. Thousand Yard Stare (band) - Wikipedia

    en.wikipedia.org/wiki/Thousand_Yard_Stare_(band)

    The band's debut effort, the Weatherwatching EP was released in November 1990 on Stifled Aardvark Records, the band's own record label.Both the Easter 89 and Tumbletown EPs were demo tapes made up by the band and sold at gigs prior to their first official release, the 12" vinyl only Weatherwatching.

  3. LANDR - Wikipedia

    en.wikipedia.org/wiki/LANDR

    LANDR Audio is a cloud-based music creation platform developed by MixGenius, an artificial intelligence company based in Montreal, Quebec.Since launching with its flagship automated mastering service in 2014, LANDR has expanded its offerings to include distribution services, a music samples library, virtual studio technology (VSTs) and plug-ins, a service marketplace for musicians, and online ...

  4. Category:Wikipedia non-free audio samples - Wikipedia

    en.wikipedia.org/wiki/Category:Wikipedia_non...

    This page categorizes non-free audio samples. To place a file in this category , add the tag {{ Non-free audio sample }} to the bottom of the file's description page. If you are not sure which category a file belongs to, consult the file copyright tag page .

  5. The Aardvarks (band) - Wikipedia

    en.wikipedia.org/wiki/The_Aardvarks_(band)

    The Aardvarks were an American garage rock band from Muskegon, Michigan who were active between 1964-1968. They recorded three singles, two of which were issued on labels of Dave Kalmback's Fenton Records based in Sparta, Michigan.

  6. SPARS code - Wikipedia

    en.wikipedia.org/wiki/SPARS_code

    AAD is the SPARS code (highlighted in red) on Madonna's 1990 album, The Immaculate Collection. The SPARS code is a three-position alphabetic classification system developed in the early 1980s by the Society of Professional Audio Recording Services (SPARS) for commercial compact disc releases to denote aspects of the sound recording and reproduction process, distinguishing between the use of ...

  7. Loudness war - Wikipedia

    en.wikipedia.org/wiki/Loudness_war

    The practice of focusing on loudness in audio mastering can be traced back to the introduction of the compact disc, [3] but also existed to some extent when the vinyl phonograph record was the primary released recording medium and when 7-inch singles were played on jukebox machines in clubs and bars.

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