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U.F.O.F. is the third studio album by the American band Big Thief, released through 4AD on May 3, 2019. [6]The album was recorded in June 2018 [7] at Bear Creek Studio, a secluded studio with lush nature surroundings in Woodinville, Washington. [8]
Big Thief is an American indie folk band formed in Brooklyn, New York, in 2015. The band consists of Adrianne Lenker (vocals, guitar), Buck Meek (guitar, backing vocals) and James Krivchenia (drums). [1] Between 2015 and 2024, the band also included longtime bass guitarist, Max Oleartchik.
Jamie Milton of DIY said "With Adrianne Lenker at the helm, Big Thief can count themselves as emotionally destructive as Sharon Van Etten." [ 18 ] AllMusic gave the album four stars out of five, calling it "wall-to-wall artful expression that finds a songwriter thriving as part of a four-piece."
Along with Nick Drake, Judee Sill is probably the greatest lost singer-songwriter of the 1970s — an artist whose gifts were so great but their demons were apparently greater. While Drake’s ...
Credits adapted from the album's liner notes. [27]Big Thief. Adrianne Lenker – vocals (all tracks), acoustic guitar (1, 2, 4–7, 9), electric guitar (2–8, 11), background vocals (2, 4, 6, 8, 11), choir (3), French press (3), mouth trumpet (7), claps (8), ARP synthesizer (9)
John Paul Jones (born John Baldwin; 3 January 1946) [1] is an English musician and record producer who was the bassist and keyboardist for the rock band Led Zeppelin. He was a session musician and arranger when he formed the band with Jimmy Page in 1968.
In 2019, Big Thief left Saddle Creek and signed to 4AD, releasing two studio albums: U.F.O.F. in May 2019 and Two Hands in October 2019. [6] The albums were the band's most successful and acclaimed to date: U.F.O.F. received a nomination for the Grammy Award for Best Alternative Music Album [7] and both albums appeared on the Billboard 200 chart, with Two Hands peaking at 113. [8]
Two Hands sees Big Thief take on "powerful and gritty" grunge-folk. [9] It also works in indie rock, yielding a "crisper [and] more jagged" sound than that of U.F.O.F. [10] Slant saw the music as shoegazing that had 1960s / '70s folk and rock filtered through it. [11]