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The Breed is a 2001 horror film with an estimated budget of 4 million dollars. The film features a dystopic future in which vampires are a marginalized race living in formerly Jewish ghettos, often shot in actual abandoned Jewish ghettos. Another major influence in the look of the film is Terry Gilliam's Brazil. [1]
Madeline is a 1998 family comedy film adaptation of the children's book series and animated television series of the same name. The film starred newcomer Hatty Jones as the titular character with Frances McDormand and Nigel Hawthorne in supporting roles as Miss Clavel and Lord Covington respectively. [2]
The Breed earned an approval rating of 27% indicating general dislike from critics on Rotten Tomatoes. With reviews that read; "The Breed' is an unfortunate, boring movie, with dialogues that seem out of the mind of a schoolboy." by Juan Luis Caviaro of Espinof, "A bargain basement effort that(TM)s about as scary as a rabbit with an ingrown ...
Fmovies has been on the US Trade Representative’s “notorious markets” list for counterfeiting and piracy since 2017. The USTR’s latest report states that Fmovies is linked to more than 60 ...
Paulie is a 1998 American adventure comedy-drama film directed by John Roberts and written by Laurie Craig. The film follows the adventurous story of the eponymous Paulie, a talking parrot who is capable of communicating with humans.
The Taking of Pelham One Two Three is a 1998 American television crime thriller film directed by Félix Enríquez Alcalá and starring Edward James Olmos. [3] [1] It is a television adaptation of the novel of the same name by Morton Freedgood (writing under the pseudonym John Godey), and is a remake of the 1974 film adaptation.
Hairshirt (released to home video as Too Smooth) is a 1998 romantic comedy film starring Dean Paras, Neve Campbell, Katie Wright, Rebecca Gayheart and Stefan Brogren.
The Glass Agency (Persian: آژانس شیشهای) is a 1998 Iranian drama film written and directed by Ebrahim Hatamikia. [1] It is one of Hatamikia's most successful works and one of the most popular and controversial films of post-revolutionary Iranian cinema.