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"Bottoms Up" is a song recorded by American country rock singer Brantley Gilbert. It is the first single from his third studio album Just as I Am, and was released on December 16, 2013. [1] [2] The song was written by Gilbert, Justin Weaver and Brett James. A remix featuring Atlanta-based rapper T.I., was included on the reissue of Just as I Am ...
"Bottoms Up" is a song by American singer Trey Songz. It was produced by Kane Beatz and features rapper Nicki Minaj. The song serves as the lead single from his fourth studio album, Passion, Pain & Pleasure. It is his most successful single to date, peaking at number 6 on the Billboard Hot 100.
"Bottoms Up" (Brantley Gilbert song), 2013 "Bottoms Up" (Middle of the Road song), song by Scottish band Middle of the Road, 1972 "Bottoms Up" (Nickelback song) from Nickelback's album Here and Now "Bottoms Up" (Trey Songz song), 2010 "U Was at the Club (Bottoms Up)", song by The BoyBoy West Coast "Bottoms Up", a song by Keke Palmer from her ...
"U Was at the Club (Bottoms Up)" is a song by American rapper The Boyboy West Coast. First previewed in September 2018, it went viral in early 2019 via the video-sharing app TikTok , following which it was released on April 19, 2019, as his debut single.
"Bottoms Up" is a song by Scottish band Middle of the Road, released as a single in September 1972. [1] It failed to chart in the UK, but continued the band's success in Europe, becoming a top-ten hit in several countries. Unlike the version on many CD compilations, the single version has no bagpipes in the intro.
Bottoms Up is the third studio album by American rapper Obie Trice. It was released on April 3, 2012, by Black Market Entertainment. The album entering the charts at number 113, with 5,000 physical albums sold in the first week. [2] The album is his first effort since Second Round's on Me in 2006 and features production from Dr. Dre and Eminem.
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"Bottoms Up" is a single by Canadian rock band Nickelback as the second single from their seventh studio album, Here and Now. A Billboard review of the song said that it was a "surprising return to [...] bawdy arena rock," but that it was also "amazingly monolithic" and "lack[ed] the slick melodies of the group's past hits."