Search results
Results From The WOW.Com Content Network
The theme was made popular by Northern painters such as Jan van Eyck, Hans Memling, and Albrecht Dürer. There are also several versions of the theme attributed to Titian, notably the one in the Hermitage Museum. One painting of the subject, simply titled Salvator Mundi, was attributed or reattributed to Leonardo da Vinci in 2011. This painting ...
Why Fum'th In Sight (Psalm 2, tune known as the third mode melody, see also Fantasia on a Theme of Thomas Tallis) O Come In One To Praise The Lord ; E'en Like The Hunted Hind ; Expend, O Lord, My Plaint ; Why Brag'st In Malice High ; God Grant With Grace (Psalm 67, tune known as Tallis' Canon) Ordinal (Veni Creator)
Thomas Tallis (/ ˈ t æ l ɪ s /; [2] also Tallys or Talles; c. 1505 – 23 November 1585 [n 1]) was an English composer of High Renaissance music.His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music.
MK2 Films has closed a first batch of key deals on Antoine Vitkine’s critically acclaimed documentary “The Savior For Sale: The Story of Salvator Mundi.” The film lifts the veil on the ...
The Requiem by Herbert Howells was written in 1932, but first published almost fifty years later in 1981. It is set for unaccompanied choir with soloists, using a combination of texts from the traditional Requiem mass and other sacred sources: Psalm 23 ("The Lord is my shepherd"), Psalm 121 ("I will lift up mine eyes"), "Salvator mundi" ("O Saviour of the world" in English), "Requiem aeternam ...
Salvator Mundi (Latin for 'Savior of the World') is a painting attributed in whole or part to the Italian High Renaissance artist Leonardo da Vinci, dated c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting , it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery ...
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The proponents of the theory that a fourth recto-verso panel is missing suggest that it could have shown the Virgin Mary (responding to her son depicted as a Salvator Mundi but also with attributes of a Christ in Majesty, such as the crown) on one side, and Adam on the other (responding to Eve, depicted as the allegorical figure of Vanity).