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Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
Betsy Sharkey of the Los Angeles Times gave a positive review, stating that "[w]ith a surgical precision, the writer-director cut [Shange's poetry] apart and reassembled it, using various pieces to create characters and storylines, keeping much of the poetry, writing the connective tissue himself so that it finds a new life, a somewhat ...
In 2024, the poems were adapted by students of St. Mira’s College for Girls, Pune, as part of their theater course. The play, which brought the poems to life on stage, was designed and directed by Prathmesh Viveki. The first performance took place on October 26, 2024, at the Indulakshmi Auditorium.
'Poetry-films’ contain a whole, or elements of a written or spoken poem, while ‘film poems’ are themselves the ‘poem’. Examples that Wees references include the ‘poetry-film’ ‘L'Étoile de mer’ (1928) by Man Ray which incorporates fragments of a poem by Robert Desnos, and the ‘film poem’ ‘Meshes of the Afternoon’ (1943 ...
The Color of Pomegranates, [a] originally known as Sayat-Nova, is a 1969 Soviet Armenian art film written and directed by Sergei Parajanov. [ 1 ] [ 2 ] The film is a poetic treatment of the life of 18th-century Armenian poet and troubadour Sayat-Nova . [ 3 ]
C. The Canterbury Tales (film) Carmen (2022 film) Casey at the Bat (1916 film) Casey at the Bat (1927 film) The Charge of the Light Brigade (1912 film)
No fewer than five awards season movies — including 'Oppenheimer,' 'Killers of the Flower Moon,' 'Poor Things,' 'Maestro' and 'The Color Purple' — alternate between black and white and color.
In his essay Poetry-Films and Film Poems in Film Poems, William C. Wees differentiates between poetry-film using a film to ‘illustrate’ a poem, and film poems in which ‘a synthesis of poetry and film that generates associations, connotations and metaphors neither the verbal nor the visual text could produce on its own.’ [9] [10]