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Digital audio cassette formats introduced to the professional audio and consumer markets: Digital Audio Tape (or DAT) is the most well-known, and had some success as an audio storage format among professionals and "prosumers" before the prices of hard drive and solid-state flash memory-based digital recording devices
Digital Tape Recording System (DTRS) is a signal recording and playback medium developed by TASCAM, a division of the TEAC Corporation, that was stored on Hi8 video cassettes. It allowed up to 108 minutes of continuous digital multitrack recording on a single tape.
Cassette tape, a two-spool tape cassette format for analog audio recording and playback and introduced in 1963 by Philips; DC-International, a format that was created by Grundig after Phillips had abandoned an earlier format that was being created alongside the Compact Cassette; 8-track tape, continuous loop tape system introduced in 1964
NT cassette compared to various memory cards. The system was an R-DAT based system which stored memos using helical scan on special microcassettes, which were 30 mm × 21.5 mm × 5 mm with a tape width of 2.5 mm, with a recording capacity of up to 120 minutes similar to Digital Audio Tape.
Digital audio is a representation of sound recorded in, or converted into, digital form. In digital audio, the sound wave of the audio signal is typically encoded as numerical samples in a continuous sequence. For example, in CD audio, samples are taken 44,100 times per second, each with 16-bit resolution. Digital audio is also the name for the ...
Digital Audio Tape (DAT or R-DAT) is a signal recording and playback medium developed by Sony and introduced in 1987. [1] In appearance it is similar to a Compact Cassette, using 3.81 mm / 0.15" (commonly referred to as 4 mm) magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm.
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