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Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. [dubious – discuss] The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art ...
Saint Jerome Writing (Caravaggio, Valletta) St John the Baptist at a Spring; Saint Matthew and the Angel; Salome with the Head of John the Baptist (Caravaggio, London) Salome with the Head of John the Baptist (Caravaggio, Madrid) The Seven Works of Mercy (Caravaggio) Still Life with Fruit (Caravaggio) Supper at Emmaus (Caravaggio, London)
The paintings in the Contarelli Chapel form a group of three large-format canvases painted by Caravaggio between 1599 and 1602, initially commissioned by Cardinal Matteo Contarelli for the Church of St. Louis of the French (San Luigi dei Francesi) in Rome, and eventually honored after his death by his executors.
Still Life with Flowers and Fruit. 1590s.Borghese Gallery, Rome. According to tradition, Caravaggio painted flowers and fruit when he first came to Rome. Individual pieces of this Still Life with Flowers and Fruit are brilliantly painted and call to mind the mastery of such subjects that Caravaggio showed in early works such as Boy with a Basket of Fruit, as well as his reported comment that ...
The painting depicts Saint Jerome, a Doctor of the Church in Roman Catholicism and a popular subject for painting, even for Caravaggio, who produced other paintings of Jerome in Meditation and engaged in writing. In this image, Jerome is reading intently, an outstretched arm resting with quill.
Portrait of Alof de Wignacourt with his Page (c. 1607-1608) is a painting by the Italian master Caravaggio, in the Louvre of Paris.. Alof de Wignacourt joined the Order of the Knights of Saint John (the Knights of Malta) in 1564, aged seventeen, and distinguished himself the next year at the Great Siege of Malta, when the Turks were defeated and never returned to the island.
Jupiter, Neptune and Pluto (c. 1597) is a painting by Italian Baroque master Michelangelo Merisi da Caravaggio. It is located in the Villa Aurora, the former hunting lodge of the erstwhile Villa Ludovisi, Rome. It is unusually painted in oils on plaster and hence it is not a fresco, although it is sometimes (incorrectly) referred to as such.
The painting represents a departure from the standard paintings of the penitent Mary Magdalene of Caravaggio's day, both in portraying her in contemporary clothing and, in the words of biographer John Varriano (2006), avoiding "the pathos and languid sensuality" with which the subject was generally treated. [3]