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The Transfiguration shows forth humanity in the splendor of its original form when it was united in the life-giving love of the Triune God. This event reveals the possibility of humanity's theosis. If the Transfiguration falls on a Sunday, it replaces the ordinary liturgical Ordo of the season for Sacred Liturgy.
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
The Transfiguration Altarpiece is an altarpiece of the Transfiguration of Jesus by Perugino, dating to 1517 and now in the Galleria Nazionale dell'Umbria in Perugia. It was probably produced for Santa Maria dei Servi church in Perugia, where it remained until 1542.
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
For the celebration of Mass, the altar should be covered by at least one white altar cloth: "Out of reverence for the celebration of the memorial of the Lord and for the banquet in which the Body and Blood of the Lord are offered, there should be, on an altar where this is celebrated, there should be at least one white cloth, its shape, size ...
The topics of the paintings in the center row of the ceiling are, from the altar to the back: Verklärung Christi am Tabor (Transfiguration), Kreuzaufrichtung (Elevation of the cross), Auferstehung (Resurrection), Kreuzabnahme (Descent from the Cross), Himmelfahrt , and Johannes auf Patmos sieht den Himmel offen und die Engel mit dem Evangelium ...