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Wistman's Wood is one of Britain's last remaining ancient temperate rainforests and one of three remote high-altitude oakwoods on Dartmoor in Devon, England. The first written document to mention Wistman's Wood date to the 17th century, while more recent tree-ring studies show that individual trees could be many hundreds of years old.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles. As well as providing heat, the fireplaces of the Victorian era were thought to add a cosy ambiance to homes. [6]
Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
Whiteleaved Oak is a hamlet in the English county of Herefordshire, lying in a valley at the southern end of the Malvern Hills between Raggedstone Hill and Chase End Hill where the counties of Herefordshire, Worcestershire and Gloucestershire meet. It was home to a 500-year-old oak tree, which was thought to be sacred.
Gibbs surround is named after the architect James Gibbs, who often used it and popularized it in England, for example at St Martin-in-the-Fields in London. Here the side doors have surrounds with all the details including pediments, while the round-topped windows along the sides have Gibbs surrounds if the broadest definition is used.
[6] A greater sense of security led to "more outward-looking buildings", as opposed to the Medieval, inward facing buildings constructed for defence. [6] However, owing to troublesome relations with Catholic Europe, the free exchange of ideas was difficult meaning new Renaissance architecture was generally slow to arrive in Britain. [6]
The English folk legend of a shire oak, under the spreading limbs of which the ancient Anglo-Saxon open-air folkmoots and things were held, [1] is a feature of Merry England: "In olden times the rude hustings, with its noisy surging crowds, was the old popular mode of appeal to the people, voter and voteless, a remnant of Saxon times when men ...