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The Paris Review is a quarterly English-language literary magazine established in Paris in 1953 by Harold L. Humes, Peter Matthiessen, and George Plimpton.In its first five years, The Paris Review published new works by Jack Kerouac, Philip Larkin, V. S. Naipaul, Philip Roth, Terry Southern, Adrienne Rich, Italo Calvino, Samuel Beckett, Nadine Gordimer, Jean Genet, and Robert Bly.
Prose discusses the question of whether writing can be taught. She answers the question by suggesting that although writing workshops can be helpful, the best way to learn to write is to read. Closely reading books, Prose studied word choice and sentence construction. Close reading helped her solve difficult obstacles in her own writing.
The Paris Review: Interview [216] "The Day Antonioni Came to the Asylum (Rhapsody)" The Paris Review: Poetry [217] "Detail from the Tomb of the Diver (Paestum 500-543 B.C.) Second Detail" Decipherment of Linear X: Poetry [218] "Water, Still" Prairie Fire: Poetry [219] "On Discovering at Dinner that Adam Zagajewski and I Share a Birthday" 2005 ...
Peter Matthiessen (May 22, 1927 – April 5, 2014) was an American novelist, naturalist, wilderness writer, zen teacher and onetime CIA agent. [1] A co-founder of the literary magazine The Paris Review, he is the only writer to have won the National Book Award in both nonfiction (The Snow Leopard, 1979, category Contemporary Thought) and fiction (Shadow Country, 2008). [2]
Reverse-engineering good prose as the key to developing a writerly ear – The starting point for becoming a good writer is to be a good reader. Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks, and with them a sensitivity to how they mesh and how they clash.
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Irish novelist Tana French spends the opening chapters of “The Searcher,” her eighth book, skillfully fashioning her complex characters and vividly portraying the harsh beauty of the landscape.
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