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This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
Many musical genres are particular to some geographical region or to an ethnic, religious or linguistic group. ... List of cultural and regional genres of music.
Noisemaker is a musical instrument which is not Used for music but rather for noisemaking: unpitched percussion: musical instrument Pahū Pounamu: idiophones: New Zealand, Traditional Maori Gong: tam-tam Piano (pianoforte) also used melodically, see chordophones: chordophones: 314.122-4-8: Italy: stringed instruments: keyboard hammmer-struck ...
Pages in category "Musical instruments by country" This category contains only the following page. This list may not reflect recent changes. N.
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...
The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with ...
North American musical instruments (11 C) O. Oceanian musical instruments (6 C) S. South American musical instruments (6 C, 1 P)
Arabic classical music: Andalusi classical music: 9th century AD. [citation needed] Likely practiced since the early 9th century, the musical tradition of Al-Andalus is notable for spreading Middle Eastern and North African musical instruments to Western Europe, where they would become staple instruments of Western tradition. [11]