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According to Kaufmann, Sartre makes factual errors, including misidentifying philosopher Karl Jaspers as a Catholic, and presenting a definition of existentialism that is open to question. [2] Thomas C. Anderson criticized Sartre for asserting without explanation that if a person seeks freedom from false, external authorities, then he or she ...
Existentialism is a family of philosophical views and inquiry that study existence from the individual's perspective and explore the human struggle to lead an authentic life despite the apparent absurdity or incomprehensibility of the universe.
Martin Heidegger attacked Sartre's concept of existential humanism in his Letter on Humanism of 1946, accusing Sartre of elevating Reason above Being. [5]Michel Foucault followed Heidegger in attacking Sartre's humanism as a kind of theology of man, [6] though in his emphasis on the self-creation of the human being he has in fact been seen as very close to Sartre's existential humanism.
He also expressed sympathy for Marcel's criticism of Sartre, and described Sartre's view of freedom as both "nihilistic" and possibly inconsistent with some of Sartre's other views. [19] The philosopher A. J. Ayer wrote that, apart from some psychological insights, the book was "a pretentious metaphysical thesis" and "principally an exercise in ...
Sartre and Camus expanded on the topic of absurdism. Camus wrote further works, such as The Stranger, Caligula, The Plague, The Fall and The Rebel. [6] Other figures include Martin Heidegger and Jacques Derrida. In addition, Ernest Becker's Pulitzer Prize-winning life's work The Denial of Death is a collection of thoughts on existential nihilism.
Simone de Beauvoir and Jean-Paul Sartre in Beijing, 1955. Jean-Paul Charles Aymard Sartre (/ ˈ s ɑːr t r ə /, US also / ˈ s ɑːr t /; [5] French:; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism.
The philosopher Jean-Paul Sartre said that jazz music represents artistic freedom and personal authenticity. [1] [better source needed] Authenticity is a concept of personality in the fields of psychology, existential psychotherapy, existentialist philosophy, and aesthetics.
Sartre depicted a man in a café who has applied himself to a portrayal of his role as a waiter. The waiter thinks of himself as being a waiter (as in being-in-itself), which Sartre says is impossible since he cannot be a waiter in the sense that an inkwell is an inkwell.