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The Seasons, by ... A New Edition. Adorned with A Set of Engravings, from Original Paintings. Together with an Original Life of the Author, and a Critical Essay on the Seasons. by Robert Heron, (Perth: R. Morison, 1793). Thomson, James The Seasons and Castle of Indolence Printed for J. and F.C. Rivington and the other proprietors, James Marsh, 1820
The Seasons is a series of four poems written by the Scottish author James Thomson. The first part, Winter, was published in 1726, and the completed poem cycle appeared in 1730. [1] The poem was extremely influential, and stimulated works by Joshua Reynolds, John Christopher Smith, Joseph Haydn, Thomas Gainsborough and J. M. W. Turner. [1]
Thematically, they thus represent four views of the seasons. According to one count, there are 117 of the poems in the traditional collection. [ 4 ] They are all considered to be in the yuefu form; however, they are also all five-character per line quatrains , created from two couplets each, similar to the jueju form of later popularity.
The Seasons (most probably in its German translation [2]) was highly valued by Adam Mickiewicz [3] and has inspired him to write a poem, Konrad Wallenrod. [4] Goethe is also said to have liked the poem. [5] Acclaimed Lithuanian theatre director Eimuntas Nekrošius has adapted the first and third part of the piece to the performances Donelaitis ...
The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718–1720, when Vivaldi was the court chapel master in Mantua .
As a younger poet, Bradstreet wrote five quaternions, epic poems of four parts each (see works below) that explore the diverse yet complementary natures of their subject. [14] Much of Bradstreet's poetry is based on observation of the world around her, focusing heavily on domestic and religious themes, and was considered by Cotton Mather "a ...
Like the three previous poems of the Four Quartets, the central theme is time and humanity's place within it. Each generation is seemingly united and the poem describes a unification within Western civilisation. When discussing World War II, the poem states that humanity is given a choice between the bombing of London or the Holy Spirit.
Van Swieten's libretto was based on extracts from the long English poem "The Seasons" by James Thomson (1700–1748), which had been published in 1730. Whereas in The Creation Swieten was able to limit himself to rendering an existing (anonymous) libretto into German, for The Seasons he had a much more demanding task. Olleson writes, "Even when ...