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The Woman Taken in Adultery is a painting of 1644 by Rembrandt, bought by the National Gallery in London in 1824, as one of their foundation batch of paintings. It is in oil on oak, and 83.8 x 65.4 cm. [1] Rembrandt shows the episode of Jesus and the woman taken in adultery from the Gospel of Saint John.
Ignoring the other paintings, the pair proceeded directly to Christ and the Woman Taken in Adultery. Describing the painting as serious and interesting, Pobedonostsev nevertheless forbade the printing of the exhibition catalogue. [30] At two o'clock in the afternoon, Vladimir Alexandrovich arrived at the exhibition.
Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by many to be a pseudepigraphical [1] [2]: 489 passage found in John 7:53–8:11 [3] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives .
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
Christ and the Woman Taken in Adultery is a series of around thirty paintings by Lucas Cranach the Elder and his studio, in which his son Lucas Cranach the Younger was prominent. It shows the eponymous scene from the Gospel of John (8:1–11) in the New Testament.
The painting was influenced by Beckmann's study of German Renaissance painters, especially Matthias Grünewald. It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil ...