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An axiom, postulate, or assumption is a statement that is taken to be true, to serve as a premise or starting point for further reasoning and arguments. The word comes from the Ancient Greek word ἀξίωμα (axíōma), meaning 'that which is thought worthy or fit' or 'that which commends itself as evident'. [1] [2]
Together with the axiom of choice (see below), these are the de facto standard axioms for contemporary mathematics or set theory. They can be easily adapted to analogous theories, such as mereology. Axiom of extensionality; Axiom of empty set; Axiom of pairing; Axiom of union; Axiom of infinity; Axiom schema of replacement; Axiom of power set ...
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Based on ancient Greek methods, an axiomatic system is a formal description of a way to establish the mathematical truth that flows from a fixed set of assumptions. Although applicable to any area of mathematics, geometry is the branch of elementary mathematics in which this method has most extensively been successfully applied.
The Kybalion (full title: The Kybalion: A Study of the Hermetic Philosophy of Ancient Egypt and Greece) is a book originally published in 1908 by "Three Initiates" (often identified as the New Thought pioneer William Walker Atkinson, 1862–1932) [1] that purports to convey the teachings of Hermes Trismegistus.
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
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Cover of the first edition, 1950. The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. [1]First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts.