Search results
Results From The WOW.Com Content Network
The north Indian Kathak dance differs from the south Indian Bharatanatyam in several ways, even though both have roots in the Hindu text Natya Shastra. Kathak expressions – particularly in Hindu devotional styles – are more introverted and withdrawn, while Bharatanatyam is more extroverted and expansive. [53]
The term is derived from the Hindi word padhna, meaning "to read, study or recite". [2] Padhant is closely associated with the percussion instrument tabla and the classical dance Kathak, and the recitation of rhythmic patterns before playing them is considered an art in itself. [3]
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism.It often involves priest-narrators (kathavachak or vyas) who recite stories from Hindu religious texts, such as the Puranas, the Ramayana or Bhagavata Purana, followed by a commentary ().
Sitara Devi (born Dhanlakshmi; 8 November 1920 – 25 November 2014) was an Indian dancer of the classical Kathak style of dancing, a singer, and an actress. She was the recipient of several awards and accolades, and performed at several prestigious venues in India and abroad; including the Royal Albert Hall, London (1967) and at the Carnegie Hall, New York (1976).
Keshavadasa's Rasikapriya (16th century) in Hindi, also elaborates on the Ashta-nayika. [3] The Ashta-Nayika have been illustrated in Indian painting, literature, sculpture as well as Indian classical dance, such as Kathak.
In 1970, Films Division of the Government of India released a documentary on the history and practice of Kathak, which features performances by notable Kathak exponents like Damayanti Joshi, Uma Sharma, Sudarshan Dheer and Shambhu Maharaj, besides Roshan Kumari. [13] Later she also worked as a choreographer in Hindi feature films such as Gopi ...
Later, he moved to Mumbai, where the emerging film industry helped him to bring Kathak to a far wider audience.Lachhu Maharaj was acclaimed for the choreography of dance sequences in movies like Mahal (1949), Mughal-e-Azam (1960), Chhoti Chhoti Baten (1965) and Pakeezah (1972) [2] as well as his ballets like Goutam Buddha, Chandravali and Bharatiya Kissan.
Rajendra Gangani is an Indian Kathak dancer known for his innovative style and technical wizardry. [1] Gangani is one of the leading exponents of the Jaipur Gharana style of Kathak. For his contributions to the field of Kathak, Gangani received the Sangeet Natak Akademi Award in 2003 from The President of India A. P. J. Abdul Kalam. [2]