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The falsetto register is used by male countertenors to sing in the alto and occasionally the soprano range and was the standard before women sang in choirs. Falsetto is occasionally used by early music specialists today and regularly in British cathedral choirs by men who sing the alto line. [14]
He also wrote a number of German songs, including "Wenns um Geld geht", "Tortella" and "BIFI". Köhler was part of the Modern Talking choir that used a falsetto style. Köhler co-owned Karo Music Studios and produced music together with other producers including Kalle Trapp , Blind Guardian , Molly Hatchet , New Commix, Kentucky, Toll House ...
Edward James Kendrick [3] (December 17, 1939 [2] – October 5, 1992), [4] better known as Eddie Kendricks, was an American tenor singer and songwriter.Noted for his distinctive falsetto singing style, Kendricks co-founded the Motown singing group the Temptations, and was one of their lead singers from 1960 until 1971.
Rolf Köhler – backing vocals, falsetto choir (uncredited) Michael Scholz – backing vocals, falsetto choir (uncredited) Detlef Wiedeke – backing vocals, falsetto choir (uncredited) Axel Breitung – co-production, arrangements (tracks 1, 2, 4, 8) Thorsten Brötzmann – co-production, arrangements (tracks 6, 12)
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G 3 to D 5 or E 5, [1] although a sopranist (a specific kind of countertenor) may match the soprano's range of around C 4 to C 6. [2]
Falsettone is a term used in modern Italian musicology to describe a vocal technique used by male opera singers in the past, in which the fluty sounds typical of falsetto singing are amplified by using the same singing technique used in the modal voice register.
Vitaliy Vladasovich Grachev [a] or Vitaliy Vladasovych Grachov, [b] known professionally as Vitas (Russian: Витас; stylised in all caps), is a Russian singer. [1] [2] Vitas is known for his falsetto and his eclectic musical style, which incorporates elements of operatic pop, techno, dance, classical, jazz, and folk.
The falsetto register lies above the modal voice register and overlaps the modal register by approximately one octave. The characteristic sound of falsetto is flute-like with few overtones present. The essential difference between the modal and falsetto registers lies in the amount and type of vocal cord involvement. The falsetto voice is ...