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"Miss You Like Crazy" was a hit for Cole, becoming her fifth and last top-10 hit on the US Billboard Hot 100 chart when it peaked at number seven. The song topped both the Billboard Hot Black Singles and Adult Contemporary charts in 1989, as well as reaching number two on the UK Singles Chart, becoming the biggest hit of her career there.
The first single "Miss You Like Crazy" peaked at number 7 on the US Billboard Hot 100 and topped the Adult Contemporary and Hot R&B Songs charts in 1989. [6]It reached number 2 on the UK Singles Chart, becoming her biggest chart hit single there, and number 13 in the Netherlands. [7]
“True friendship is… missing you like crazy.” — Unknown “Good friends are hard to find, harder to leave, and impossible to forget.” —Unknown
Natalie Cole's version of "Now We're Starting Over Again" (simply titled as "Starting Over Again") was released in late 1989 in the UK and early 1990 in the U.S., being the fifth of five singles released from her 1989 album Good to Be Back, the first of which, "Miss You Like Crazy" (#7 on the Hot 100 / #1 R&B), also a Michael Masser production and co-write, becoming Cole's second major hit ...
"I Live for Your Love" is Cole's longest-running chart single. It is her only song which spent over five months on the American pop charts. Her only bigger hit on the U.S. Adult Contemporary chart was "Miss You Like Crazy", which reached number one a year later. The single shared a B-side with its predecessor, "Jump Start".
Masser reunited with Cole to produce two Goffin co-writes for Cole's 1988 album Good to Be Back including the #1 R&B hit "Miss You Like Crazy" which reached #7 on the Hot 100 (the other track: "Starting Over Again" peaked at #5 on the Adult Contemporary chart where "Miss You Like Crazy" had reached #1).
"Missin You Crazy" is a song by American rapper Russ, released on September 7, 2018, from his thirteenth studio album Zoo as the third single. [1] It was produced by Russ himself. Composition
Miss You Like Crazy is a 2010 Filipino romantic comedy film directed by Cathy Garcia-Molina from a story concept by Vanessa R. Valdez, who adapted into a screenplay with Tey Clamor and Juan Miguel Sevilla.