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Additionally, the series is an expression of the dealings of commercial art with its remote interaction. [25] The significance of Lichtenstein's choice of the brushstroke as a subject is expressed by analogy: "the Ben-Day dots are to the painting of Lichtenstein what the brushstroke is to Abstract Expressionism: an image of process."
As with many comics-based works, the connection to the source is evident in Brushstrokes.This work depicts a cropped derivation of the source image. [10] In Brushstrokes, as in its source, a hand holds a house painter's paintbrush in the lower left hand corner of the image, while in the upper right a few strokes of paint as well as spatterings of paint are presented.
British psychotherapist Paul Newham using Expressive Therapy with a client. The expressive therapies are the use of the creative arts as a form of therapy, including the distinct disciplines expressive arts therapy and the creative arts therapies (art therapy, dance/movement therapy, drama therapy, music therapy, writing therapy, poetry therapy, and psychodrama).
Robert Ault (1936–2008) was an American art therapist who was the co-founder of American Art Therapy Association, the founder of the Master's of Science in Art Therapy program at Emporia State University, and the founder of the Kansas Art Therapy Association. [1]
Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art. A painting is said to be painterly when there are visible brushstrokes in the final ...
Superstroke is one of the influential art movements regarding African modernism and abstraction. The word "Superstroke" implies the super expressive brush stroke. The Superstroke art movement was initially founded as a reaction to the impact that the Superflat art movement, founded by Takashi Murakami had on modern contemporary art.
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The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...