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Knocking and kicking (or yuna onse [1]) is a little-known traditional African-American dance-like martial art, arguably practiced clandestinely in parts of the Southern US and on the Sea Islands. Music and acrobatic movements made knocking and kicking inseparable from dance. Knocking and kicking was performed secretly within a black community.
Kicking distance: The kicking distance is the most distant unarmed fighting position in which consistent contact can be made with the opponent. The combatants can use far-reaching quick kicks to the legs, body or head of the opponent. Martial arts such as Taekwondo emphasize the kicking distance in fighting.
Tobi hiza geri: Jumping knee kick; Oi Mae Geri: Lunging rear-leg front kick; Mawashi geri: Round kick; Mawashi hiza geri: Circular knee kick; Mikazuki geri: Crescent kick; Gyaku mikazuki geri: Reverse Crescent kick; Nidan tobi geri: Jumping Double front kick; Ura mawashi geri or Kagi geri: Upper inside round kick, a.k.a. hook kick; Ushiro geri ...
Four-knuckle strike - This is a fist shape particular to the Asian martial arts. Instead of closing the fist completely, the fingers are held out and only the knuckles are bent, thereby presenting the upper set of knuckles as the striking surface. This fist is used for breaking boards as the smaller surface area concentrates the punches power.
In some forms of competition kumite, punching ("tsuki") and kicking ("keri") techniques are allowed at the head ("jodan") and abdomen ("chudan"). In some tournaments, face contact is allowed, sometimes limited to senior practitioners. One example of a scoring system is that the first competitor to take eight points in three minutes wins the bout.
In the 19th century, the "rabo de arraia" was a popular kick in Rio's capoeira carioca. [9] In 1909, there was a famous match when a capoeirista Ciríaco da Silva defeated a Japanese jujitsu champion Sado Miyako with the rabo de arraia kick. [7] Japanese martial arts champions visiting Brazil frequently challenged locals to free-style contests.