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Allegro moderato – close to, but not quite allegro (116–120 bpm) Allegro – fast and bright (120–156 bpm) Molto Allegro or Allegro vivace – at least slightly faster and livelier than allegro, but always at its range (and no faster than vivace) (124–156 bpm) Vivace – lively and fast (156–176 bpm)
Allegro: joyful; lively and fast: Joyful; moderately fast tempo Allegretto: a little bit joyful: Slightly less joyful than allegro (so slightly slower tempo) Andante: walking: At a walking pace; flowing; moderately slow tempo Andantino: a little bit walking: Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to ...
Brahms then repeats the theme in different variations precisely 30 times always 8 bars long, until he deviates from this pattern just before the coda which begins in bar 253 at "Piu Allegro". 4 bars before the coda Brahms changes for the first time during the whole movement the 8 bar pattern and creates a 4 bar long transition into the coda.
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...
Sarabande et allegro for oboe and piano (1929) Sicilienne et allegro giocoso for bassoon and piano (1930) Romance, scherzo et finale for viola and piano (1932) Sonata for cello and piano (1936) Romance et scherzo for flute and viola; Piano. Au jardin de l'enfance, 6 pieces after L'Art d'être grand-père by Victor Hugo (1907).
Allegro giocoso (9:23) Andante molto cantabile (2:10) Toccata con fuoco (6:47) A live performance of the third movement in "Piano Concerto No. 1", Toccata con fuoco, is included on the 1998 album Then and Now.
Il disertore: dramma giocoso: 3 acts: Carlo Francesco Badini, after Michel-Jean Sedaine: 19 May 1770: London, King's Theatre L'amante che spende: dramma giocoso: Niccolò Tassi: autumn 1770: Venice, Teatro San Moisè Le pazzie di Orlando: dramma giocoso: 3 acts: Carlo Francesco Badini, after Ludovico Ariosto: 23 February 1771: London, King's ...
The Dramma giocoso per musica is a genre of Italian opera that developed out of the Opera buffa. Subcategories This category has only the following subcategory.