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Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna ", " The Daring Young Man on the Flying Trapeze ", and many others. [ 1 ] [ 2 ] It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days.
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2] It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as the verse-chorus form, in many traditions.
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
In this use of the word, chorus contrasts with the verse, which usually has a sense of leading up to the chorus. "Many popular songs, particularly from early in this century, are in a verse and a chorus (refrain) form. Most popular songs from the middle of the century consist only of a chorus." [2]
Other common forms include thirty-two-bar form, chorus form, [2] and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics (songs composed in this fashion are said to be "through-composed"). [10] The verse and chorus are considered the primary elements.
A cumulative song is a song with a simple verse structure modified by progressive addition so that each verse is longer than the verse before. Cumulative songs are popular for group singing, in part because they require relatively little memorization of lyrics , and because remembering the previous verse to concatenate it to form the current ...
Chorus [5]. The pattern of a strophe (verse) sung in English followed by a burden (chorus) in Latin followed a structure typical of the religious carols of the period. [6]The Agincourt Carol was recorded by The Young Tradition on Galleries, [7] (with both the Early Music Consort and Dave Swarbrick contributing), and by the Silly Sisters (band) (Maddy Prior and June Tabor) on their second album ...