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The song "Idumea" is an example of Sacred Harp music, also known as shape note because the notes printed on the sheet music bear shapes, such as squares and triangles, to show changes in pitch. [4] After rehearsing with the Sacred Harp singers in a studio, Burnett decided that the style was best heard in Liberty Baptist Church in Henagar ...
"I'm Going Home", a song by Mickey & Sylvia, B-side of the single "Love Is Strange" "I'm Going Home", a song by Sacred Harp Singers from the Cold Mountain soundtrack
Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ...
In Sacred Harp singing, J. S. James was important as a musical leader, as an author of prose works, and as a tunebook editor. His works include A Brief History of the Sacred Harp and Its Author, B. F. White, Sr., and Contributors (1904), Union Harp and History of Songs (1909), Sacred Tunes and Hymns (1913), Explanation of the Sacred Harp (1920 ...
The Sacred Harp is a shape note tunebook, originally compiled in 1844 by Benjamin Franklin White and Elisha J. King in Georgia and used to this day in revised form by Sacred Harp singers throughout America and overseas. This article is a historical overview and listing of the composers and poets who wrote the songs and texts of The Sacred Harp.
Benjamin Franklin White (September 20, 1800 – December 5, 1879) was a shape note "singing master", and compiler of the shape note tunebook known as The Sacred Harp. He was born near Cross Keys in Union County, South Carolina , the twelfth child of Robert and Mildred White.
In just two years, J. L. White made three attempts to revise the Sacred Harp in a manner that would satisfy Sacred Harp singers. With the exception of the added gospel songs in close harmony, this 1911 "White Book" is the most traditional of the three early 20th century revisions of the Sacred Harp, reprinting the 1870 book almost "verbatim ...
From its founding until 1867, White's The Sacred Harp was the "textbook" of the convention. It was a collection of songs notated by shape notes and featuring four-part harmonies. Shape-note singing had been taught by preachers and missionaries during the second Great Awakening , as a way of evangelizing to people on the frontier and in rural areas.