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The term "drum rudiment" is most closely associated with various forms of field drumming, where the snare drum plays a prominent role. In this context "rudiment" means not only "basic", but also fundamental. This tradition of drumming originates in military drumming and it is a central component of martial music.
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
The snares are a fundamental ingredient in the pressed (buzz) drum roll, as they help to blend together distinct strokes that are then perceived as a single, sustained sound. The snare drum is the first instrument to learn in preparing to play a full drum kit. Rudiments are sets of basic patterns often played on a snare drum. [4]
When the National Association of Rudimental Drummers was codifying their 26 rudiments in 1933, there was discussion amongst the original 13 members about whether to recommend open, closed, open or only open to closed in their teaching due to the presence of both methods in the existing literature of the time.
The National Association of Rudimental Drummers was formed at the American Legion National Convention of 1932. [1] According to the official NARD website: "It is the purpose, aim and object of the N.A.R.D. to standardize drum rudiments and to encourage their adoption by all earnest students of drums; also to dispel the erroneous idea that the rudiments are only for the drum corps drummer."
John Pratt was born in 1931 at Seneca Falls, New York, started playing the drums at the age of 10, and began his rudimental training at a local VFW post in 1947. [1] In 1949, he officially became a member of NARD by playing the 13 essential drum rudiments in front of an existing member. [2]