Ads
related to: islamic stucco decorations for living room images with fireplace designs
Search results
Results From The WOW.Com Content Network
Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [ 3 ] [ 2 ] Three-dimensional muqarnas was often also carved in stucco, [ 24 ] [ 7 ] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
Artwork, mirrors, flowers—where to start with mantel decor ideas for your fireplace? Here we share inspiration for elegant designs for living rooms and beyond.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
The arches of this courtyard have elaborate intersecting and mixed-linear designs and intricately-carved stucco decoration. The carved stucco of the southern portico, enveloping a simple brick core, is especially dizzying and complex, drawing on the forms of plain and multifoil arches but manipulating them into motifs outside their normal ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Islamic decoration and craftsmanship had a significant influence on Western art when Venetian merchants brought goods of many types back to Italy from the 14th century onwards. [ 59 ] The Dutch artist M. C. Escher was inspired by the Alhambra 's intricate decorative designs to study the mathematics of tessellation , transforming his style and ...
Their architectural style was also distinguished by increasingly elaborate decoration, which began with pre-existing traditions like stucco and glass mosaics but eventually favoured carved stone and marble mosaic paneling. Among the most distinguished achievements of Mamluk architecture were their ornate minarets and the carved stone domes of ...
It became a dominant design element in the 11th and 12th centuries, as in the carved stucco panels with interlaced girih of the Kharraqan towers (1067) near Qazvin, Iran. [2] [14] Stylized plant decorations were sometimes co-ordinated with girih. [15] After the Safavid period, the use of girih continued in the Seljuq dynasty and the Ilkhanate.