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The large wooden crucifix was a German innovation at the very start of the period, as were free-standing statues of the enthroned Madonna. High relief was the dominant sculptural mode of the period. Master of Pedret , The Virgin and Child in Majesty and the Adoration of the Magi, apse fresco from Tredòs, Val d'Aran , Catalonia, Spain, c. 1100 ...
Cornice of Maison Carrée (Nîmes, France), a Roman temple in the Corinthian order, with dentils nearest the wall.. In Ancient Greek architecture and its successors using the classical orders in the tradition of classical architecture, the cornice is the topmost element of the entablature, which consists (from top to bottom) of the cornice, the frieze, and the architrave.
Romanesque architecture [1] is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. [2] The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches.
Wooden lintels forming corbelled arches in the galleries is a common feature throughout, sometimes carved with vegetal or epigraphic decoration and sometimes supported by ornate stucco corbels. Dar Lazreq, which likely dates to the 15th or 16th century, features the same kind of sebka -based stucco decoration in the spaces above the small side ...
The Triumphal Arch (also known as the Arch of Maximilian I, German: Ehrenpforte Maximilians I.) is a 16th-century monumental woodcut print commissioned by the Holy Roman Emperor Maximilian I. The composite image was printed on 36 large sheets of paper from 195 separate wood blocks.
This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of ornamentation because decorated ceilings were favored.