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Star Wars (Original Motion Picture Soundtrack) is the soundtrack album to the 1977 film Star Wars, composed and conducted by John Williams and performed by the London Symphony Orchestra. Williams' score for Star Wars was recorded over eight sessions at Anvil Studios in Denham, England on March 5, 8–12, 15 and 16, 1977.
Star Wars: Episode IX – The Rise of Skywalker: J. J. Abrams: Lucasfilm Ltd. Walt Disney Studios Motion Pictures Bad Robot: Williams's final score for a Star Wars film [6] Nominated—Academy Award for Best Original Score Nominated—BAFTA Award for Best Film Music Nominated—Grammy Award for Best Score Soundtrack for Visual Media
Kevin Kiner composed the score to the film Star Wars: The Clone Wars (2008), the predecessor to the animated TV series of the same name.Both properties loosely use some of the original themes and music by John Williams.
In 2005, the American Film Institute placed Williams's score to Star Wars first on its list AFI's 100 Years of Film Scores; his scores for Jaws and E.T. also made the list. The Library of Congress entered the Star Wars soundtrack into the National Recording Registry for being "culturally, historically, or aesthetically significant". [14]
This common technique may often pass unnoticed by casual moviegoers, but has become well known among genre enthusiasts. One prominent example is John Williams' score for the Star Wars saga, and the numerous themes in Star Wars music associated with individual characters such as Darth Vader, Luke Skywalker, and Princess Leia. [26]
The score earned another Academy Award nomination for Williams. Again, the score was orchestrated by Herbert W. Spencer and Angela Morley, recorded by engineer Eric Tomlinson and edited by Kenneth Wannberg with supervision by Lionel Newman. John Williams himself took over duties as record producer from Star Wars creator George Lucas.
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The musical score for Star Wars Episode III: Revenge of the Sith, the Star Wars saga's sixth installment, was recorded over fourteen days at Abbey Road Studio with the London Symphony Orchestra and London Voices starting on February 3, 2005, and ending on February 17, with one morning allocated specifically for vocal recording.