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The Widows of Culloden (Scottish Gaelic: Bantraich de cuil lodair) is the twenty-eighth collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2006 season of his eponymous fashion house. It was inspired by his Scottish ancestry and is regarded as one of his most autobiographical collections.
Excerpt of the illusion of Kate Moss from the runway show of The Widows of Culloden The illusion of Kate Moss is an art piece first shown at the conclusion of the Alexander McQueen runway show The Widows of Culloden (Autumn/Winter 2006). It consists of a short film of English model Kate Moss dancing slowly while wearing a long, billowing gown of white chiffon, projected life-size within a ...
Autumn/Winter 2006 3 March 2006 [72] Palais Omnisports de Paris-Bercy, Paris [72] Second examination of English violence towards Scotland in more mature and melancholy terms; centres the widows of the Battle of Culloden (1746) [73] Show closed with an illusion of Kate Moss as an apparition within a glass pyramid at the centre of the stage [73 ...
From Lagerfeld to Alexander McQueen, designers have long been inspired by the wealth of collections displayed at the world’s biggest museum. ... A creation from the Autumn-Winter 2006-2007 Haute ...
The Man Who Knew Too Much (Autumn/Winter 2005) is the twenty-sixth collection by British designer Alexander McQueen for his eponymous fashion house. It took inspiration from the fashion of the 1950s and 1960s , as well as the films of Alfred Hitchcock ; its namesake is Hitchcock's The Man Who Knew Too Much (1956).
The finale dress from Lee Alexander McQueen’s Joan collection, 1998 ... “Fall 1995 was the season Tom Ford really arrived at Gucci, and no one embodied that hot super glam new direction more ...