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Opening Title Production company Cast and crew Ref. J A N U A R Y: 12 Bio-Dome: Metro-Goldwyn-Mayer / Motion Picture Corporation of America: Jason Bloom (director); Adam Leff, Mitchell Peck, Jason Blumenthal (screenplay); Pauly Shore, Stephen Baldwin, William Atherton, Joey Adams, Teresa Hill, Rose McGowan, Kylie Minogue, Dara Tomanovich, Henry Gibson, Patricia Hearst, Roger Clinton, Taylor ...
This is a list of lesbian, gay, bisexual, transgender or queer-related films released in 1996. It contains theatrically released films that deal with important gay, lesbian, bisexual, transgender or queer characters or issues and may have same-sex romance or relationships as a plot device.
co-production with Savoy Pictures and Rank Film Distributors: September 13, 1996: Feeling Minnesota: with Fine Line Features and Jersey Films September 20, 1996: Last Man Standing: October 11, 1996: The Grass Harp: with Fine Line Features The Long Kiss Goodnight: October 25, 1996: Normal Life: with Fine Line Features October 27, 1996: Bullet
And the guest list doesn’t stop there. Jenna Bush Hager , Diedrich Bader, Christine Ebersole, Megyn Price and even Chiefs Head Coach Andy Reid pop in for surprise appearances, along with a few ...
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Short film [1] 1999 Alien Love Triangle: Steven Chesterman Wild Wild West: Dr. Arliss Loveless Periwig Maker: The Periwig Maker Short film 2000 Love's Labour's Lost: Berowne The Road to El Dorado: Miguel Voice How to Kill Your Neighbor's Dog: Peter McGowen 2001 Schneider's 2nd Stage: Joseph Barnett Short film 2002 Rabbit-Proof Fence: A.O. Neville
Opening Title Production company Cast and crew Ref. J A N U A R Y: 6 Houseguest: Hollywood Pictures / Caravan Pictures: Randall Miller (director); Michael J. Di Gaetano, Lawrence Gay (screenplay); Sinbad, Phil Hartman, Kim Greist, Kim Murphy, Chauncey Leopardi, Talia Seider, Paul Ben-Victor, Tony Longo, Jeffrey Jones, Stan Shaw, Ron Glass, Kevin Jordan, Mason Adams, Patricia Fraser, Don ...
[12] On Rotten Tomatoes, the film has an approval rating of 82% based on 49 reviews, with an average rating of 6.9/10. The website's critical consensus reads, "An absorbing showcase for Philip Baker Hall, Paul Thomas Anderson's feature debut is a gamble that pays off handsomely." [13] It is described by some authors as a neo-noir film. [14]