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The Rose Period is named after Picasso's heavy use of pink tones in his works from this period, from the French word for pink, which is rose. Picasso's third highest selling painting, Young Girl with a Flower Basket , and his fifth highest, Garçon à la pipe (Boy with a pipe) were both painted during the Rose Period.
The subject of the painting is a young girl who was working as a flower seller, but also probably as a teenage child prostitute.She is depicted naked, save for pink ribbons in her dark hair and a necklace, and she is holding a basket of red flowers, all painted with simplified lines and flattened blocks of colour.
Pink is a prominent secondary or tertiary color in many color space models. It is associated with softness, sweetness , love, and immaturity . [ 24 ] There is an urban legend that pink was a masculine color before the mid 20th century, [ citation needed ] based on evidence of conflicting traditions before about 1940.
red or pink: Playfulness, sport [5] [6] [4] white: Unobtrusive loveliness [5] [4] yellow: Jealousy [4] [8] Hydrangea: general: In a negative [17] sense frigidity, heartlessness; [6] [7] Thank you for understanding; [4] boastfulness [5] [8] pink: Heartfelt emotion or gratitude purple: A desire to deeply understand someone blue: Frigidity and ...
A youth catches his boyfriend with a love letter from another, c. 1750. In art, depicting a face reflecting the ravages of jealousy was a frequent studio exercise: see for instance drawings by Charles Le Brun (1619–1690) or Sébastien Leclerc the Younger [], or in a fuller treatment, the howling figure on the left in Bronzino’s An Allegory with Venus and Cupid (probably 1540-50).
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Lotus flower. The sacred lotus flower is an aquatic perennial plant that typically blooms vibrant petals of pink and white shades. It is one of the most beautiful plants to look at, but the lotus ...
The jealousy is also an acknowledgement (of sorts) of the tree's love for the man. Jealousy is perhaps the last remaining obvious proof of the tree's reciprocal desire for him; proof which simultaneously bestows upon him the power to provoke her and to 'delight' in the pain he causes by so doing.