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Confucian art is art inspired by the writings of Confucius, and Confucian teachings. Confucian art originated in China, then spread westwards on the Silk Road, southward down to southern China and then onto Southeast Asia, and eastwards through northern China on to Japan and Korea.
Confucianism focuses on the practical order that is given by a this-worldly awareness of tian. [12] The worldly concern of Confucianism rests upon the belief that human beings are fundamentally good, and teachable, improvable, and perfectible through personal and communal endeavor, especially self-cultivation and self-creation.
Other variations depict the three men to the founders of China's major religious and philosophical traditions: Confucianism, Buddhism, and Taoism. The three men are dipping their fingers in a vat of vinegar and tasting it; one man reacts with a sour expression, one reacts with a bitter expression, and one reacts with a sweet expression.
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
The Four Symbols are mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including " Four Guardians ", " Four Gods ", and " Four Auspicious Beasts ".
In the theology of the classic texts and Confucianism, "Heaven is the lord of the hundreds of deities". [ 11 ] Modern Confucian theology sometimes compares them to substantial forms or entelechies (inner purposes) as described by Leibniz as a force that generates all types of beings, so that "even mountains and rivers are worshipped as ...
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Confucian coin charms are a category of Chinese and Vietnamese numismatic charms that incorporate messages from Confucian philosophy into their inscriptions. Generally these amulets resemble Chinese cash coins but contain messages of the traditions, rituals, and moral code of Confucianism, such as the idea of "filial piety" (孝) and the Confucian ideals of "righteousness" (義).