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Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
For example: Hon'ami Kōetsu's (本阿弥 光悦; 1558 – 27 February 1637) white raku bowl called "Mount Fuji" (Shiroraku-Chawan, Fujisan) listed as a national treasure by the Japanese government. [17] Kintsugi, a specific technique that uses gold lacquer to repair broken pottery, is considered a wabi-sabi expression. [8]
Bodhisattva giving up his life so that a tiger family can feed their cubs; illustration of a Jataka tale on the base of the Tamamushi Shrine. The term "National Treasure" has been used in Japan to denote cultural properties since 1897, [1] [2] although the definition and the criteria have changed since the introduction of the term.
Gold seal of the King of the Na state of the Wa (vassal) of Han Dynasty (漢委奴國王, Kan no Wa no Na no Kokuō); 2.35 cm (0.93 in) square, height: 2.25 cm (0.89 in), weight: 109 g (3.8 oz); said to be the seal granted by Emperor Guangwu of Han in 57 AD as mentioned in the Book of the Later Han
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Kasama-yaki vase on display along Japan National Route 50 outside Kasama, Ibaraki Kasama-ware ( 笠間焼 , Kasama-yaki ) is a style of Japanese pottery made in Kasama, Ibaraki , Ibaraki Prefecture , Japan .
Historically, in a Japanese tea ceremony room, vases used to be made out of cut bamboo in order to match the ambiance of the room. Precious vases were offered as gifts to feudal daimyō lords. Starting in the late 16th century Momoyama period, Iga ware water vases with characteristic "ear" lugs appeared. The ear lugs added prestige to a vessel ...
"Iro-Nabeshima" generally uses only the three colors red, yellow, and green, and occasionally black and purple are used, but as a rule, gold leaf, as seen in Imari, is not used. In China and other Japanese kilns, celadon glaze is generally used alone, but Nabeshima often combines celadon with blue and white glaze and colored paintings, such as ...