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Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
The Khalili Imperial Garniture is a trio of cloisonné vases created for a Japanese Imperial commission during the Meiji era. [1] The items were exhibited at the World's Columbian Exposition in Chicago, United States, in 1893, where they were described as "the largest examples of cloisonné enamel ever made".
For example: Hon'ami Kōetsu's (本阿弥 光悦; 1558 – 27 February 1637) white raku bowl called "Mount Fuji" (Shiroraku-Chawan, Fujisan) listed as a national treasure by the Japanese government. [17] Kintsugi, a specific technique that uses gold lacquer to repair broken pottery, is considered a wabi-sabi expression. [8]
The term Tianqi porcelain is mostly used of these types for the Japanese market, from the Tianqi Emperor (r. 1620–1627). The transitional ware of the early Kangxi decades witnessed a move away from designs and aesthetic standards of the painter Dong Qichang to newer tastes typified by the artist Shen Shitong and his use of western perspective ...
Blue porcelain vase decorated with red and yellow flowers and green foliage with geometric design around the neck and foot rim, by Imaemon Imaizumi XII (Living National Treasure). It was gifted by Emperor Shōwa and Empress Kōjun on the occasion of their first visit to the United States to President Gerald R. Ford in 1975.
Some of his works showed the influence of European graphic design, while he combined traditional Japanese and Chinese techniques with new technologies from the West. [50] The collection illustrates how he and his son Hanzan became increasingly ambitious, introducing new colours, designs and sculptural effects in works sent to international ...
The most common "Iro-Nabeshima" is a technique in which a design is painted over a vessel with a blue-and-white design, and then the vessel is fired again with a low-temperature oxidizing flame. "Iro-Nabeshima" generally uses only the three colors red, yellow, and green, and occasionally black and purple are used, but as a rule, gold leaf, as ...
Tokanabe ware was typically black with a stippled texture and hand-painted raised relief designs. Some pieces were also produced in brown, gold or orange. It was stamped Nippon until 1921, when the US Congress passed legislation requiring all products manufactured in Japan for export to the United States to be marked Made in Japan.