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Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art , non-figurative art , non-objective art , and non-representational art are all closely related terms.
An important distinction that made color field painting different from abstract expression was the paint handling. The most basic fundamental defining technique of painting is application of paint and the color field painters revolutionized the way paint could be effectively applied. Color field painting sought to rid art of superfluous rhetoric.
The Washington Color School, also known as the Washington, D.C., Color School, [1] was an art movement starting during the 1950s–1970s in Washington, D.C., in the United States, built of abstract expressionist artists. The movement emerged during a time when society, the arts, and people were changing quickly.
Art historian Richard J. Powell wrote in 1997 about the position of Thomas and Sam Gilliam as the two best known African-American members of the Washington Color School, "While conversant with the works of fellow Washington Color School artists (Gene Davis, Morris Louis, and Kenneth Noland), they also addressed, through rhythmic and high key ...
Mondrian's work had an enormous influence on 20th-century art, influencing not only the course of abstract painting and numerous major styles and art movements (e.g. Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the domain of painting, such as design, architecture and fashion.
Colourist painting is a style of painting characterised by the use of intense colour, which becomes the dominant feature of the resultant work of art, more important than its other qualities. It has been associated with a number of artists and art movements throughout the 20th century.