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First page of the manuscript. Scachs d'amor (Valencian: [esˈkagz ðaˈmoɾ], meaning "Chess of Love"), whose complete title is Hobra intitulada scachs d'amor feta per don Francí de Castellví e Narcis Vinyoles e mossén Fenollar, is the name of a poem written by Francesc de Castellví, Bernat Fenollar, and Narcís Vinyoles, published in Valencia, Crown of Aragon, towards the end of the 15th ...
The Forty Rules of Love is a novel written by the Turkish author Elif Shafak, [1] [2] [3] Her interest in writing this book was influenced by the degree she received in Gender and Women’s Studies. [4] The book was published in March 2009. [5] It is about the Persian mystic poet Maulana Jalal-Ud-Din, known as Rumi and his companion Shams Tabrizi.
Elif Shafak FRSL (Turkish: Elif Şafak, pronounced [eˈlif ʃaˈfak]; née Bilgin; born 25 October 1971) is a Turkish-British [1] novelist, essayist, public speaker, political scientist [2] and activist.
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) [1] is a service from Google that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database. [2]
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
The best love poems offer respite and revivify; they remind me that I, too, love being alive. Soon the lilacs will bloom, but so briefly. Even more reason to seek them out and breathe in deep.
"Pass this love on, he’d say. It knows how to bend and will never break. It’s the only thing with a give and take. The more it’s used the more it makes."
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]