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Hula (chant with dance) and oli (chant without dance) are two general styles in which mele can be used/performed. Generally, "all mele may be performed as oli (chant without dance), but only certain types such as name chants, sex chants, love chants, and chants dedicated to the [ 'aumakua ] gods of hula (ritual dance), may be performed as hula ...
The pahu, or hula drum, is considered to be a sacred instrument and is the primary instrument used by the kumu hula also known as the instructors. The pahu guides the dancers, dictating the pace of the dance with the rhythm of the drum. Dancers place the drum on the ground or strap it to their thigh and play it during the hula.
A hālau hula (Hawaiian pronunciation: [haːˈlɐw ˈhulə]) is a school or hall in which the Hawaiian dance form called hula is taught. The term comes from hālau, literally, "long house, as for canoes or hula instruction"; "meeting house" [1], and hula, a Polynesian dance form of the Hawaiian Islands.
A Hoʻolauleʻa may consist of authentic hula dancing and music, foods, vendors and games. References This page was last edited on 26 January 2021, at 17: ...
"Hula" specifically referred to formalized dance performed by humans in non-sacred contexts. In contrast, " ha`a " was the term used for formalized movements performed in sacred or mourning contexts. " Ha`a " was also performed by deities and non-human entities, including personified natural forces like flowers, birds, trees, winds, or lava, as ...
Hiʻiaka is the patron goddess of hula dancers, chant, sorcery, and medicine. [1] [2] Owls are her messengers and are sacred to her. Conceived in Tahiti, Hiʻiaka was carried in the form of an egg to Hawaiʻi by her sister Pele, who kept the egg with her at all times to incubate it. Thus, the name "Hiʻiaka" means "carried egg," as "hiʻi ...
The World Invitational Hula Festival is a three-day event that perpetuates Hawaiian culture as a celebration of the artistic rendering of the Hawaiian hula dance. The festival is in its 20th year of production and is the largest and farthest reaching event of its kind.
The dancers spent three months learning and becoming skilled in hula. The character Madoka Hirayama is loosely based on Kaleinani Hayakawa, the original kumu hula at Joban, who stayed for 32 years, while also becoming the founder of the first hula school in Japan. Her work helped inspire the hula craze in Japan.