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Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon [ 1 ] hourglass shape tension drums .
The Gbedu drum is traditionally used on state occasions or during ceremonies of Ogboni, the ancient Yoruba secret society. [1] The Gbedu, also called Ogido, is one of the four major drums in traditional Yoruba drum sets; the other major drums are the Dundun/Gangan or talking drum, the Batá drum and the Sakara drum.
Jùjú is a style of Yoruba popular music, derived from traditional Yoruba percussion. The name juju from the Yoruba word "juju" or "jiju" meaning "throwing" or "something being thrown". Juju music did not derive its name from juju , which is a form of magic and the use of magic objects, common in West Africa , Haiti , Cuba and other Caribbean ...
Yoruba music is a component of the modern Nigerian popular music scene. Although traditional Yoruba music was not influenced by foreign music, the same cannot be said of modern-day Yoruba music, which has evolved and adapted itself through contact with foreign instruments, talent, and creativity.
The Yoruba, Igala, and Edo peoples of Nigeria use the word "agogô," which refers to a single or double clapperless bell. (Page 33 of Gourley et al. The name agogô and the idea of an instrumental were carried to the Americas by enslaved Africans, where they were revived and used in both form and function over time as circumstances allowed and ...
Polygamy has a longstanding history within traditional Yoruba culture. As seen in a Yoruba framework, marriage is first and foremost a union between families with the goal of childbearing rather than a romantic contract between two individuals. [34] Thus, sexual pleasure and love between the parties involved are not the objects of marriage.
The word "Ayan" means drummer in the Yoruba language. This is why some Yoruba family names contain the prefix Ayan, such as Ayanbisi, Ayangbade, Ayantunde, Ayanwande etc. This prefix marks its bearers out as hereditary custodians of the mysteries of Ayangalu. In the 20th century the talking drum became a part of popular music in West Africa.
While male musicians dominated fuji, reflecting fuji’s origins in wéré music, women artists developed Islamic and interchangeably wákà fuji. Islamic is a popular name for the genre of women’s fújì-related music, particularly in and around the city of Ìlọrin, while wákà is a more general pan-Yoruba term for the Muslim women’s genre.