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Trench art is any decorative item made by soldiers, prisoners of war, or civilians [citation needed] where the manufacture is directly linked to armed conflict or its consequences. It offers an insight not only to their feelings and emotions about the war, but also their surroundings and the materials they had available to them. [ 1 ]
At the outbreak of the First World War, Matania became a war artist and was acclaimed for his graphic and realistic images of trench warfare. His painting for the Blue Cross entitled Goodbye, Old Man , showing a British soldier saying farewell to his dying horse, is a fine example of his emotive work. [ 2 ]
Spring in the Trenches, Ridge Wood, 1917 by Paul Nash.Nash was a war artist in both World War I and World War II. A war artist is an artist either commissioned by a government or publication, or self-motivated, to document first-hand experience of war in any form of illustrative or depictive record.
Images of the Army: The Military in British Art 1815–1914. Manchester: University Press. Knott, Richard, The Sketchbook War. The History Press, 2013. Sillars, Stuart (1987). Art and Survival in First World War Britain. Basingstoke: Macmillan. Holme, Charles. The war depicted by distinguished British artists (The Studio Ltd., 1918).
Leete's drawing of Kitchener was the most famous image used in the British Army recruitment campaign of World War I. [2] [10] It continues to be considered a masterful piece of wartime propaganda as well as an enduring and iconic image of the war.
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Initially, the First World War was documented primarily using photography and film. Some of the extensive footage that official cinematographers produced of soldiers, machinery, and horses was later incorporated into Lest We Forget (1934), directed by Frank Badgley. [5] It was the first feature-length documentary war film made in Canada. [6]
Edward Ardizzone's pictures concentrated entirely on soldiers relaxing or performing routine duties, and were praised by many soldiers: "He is the only person who has caught the atmosphere of this war" felt Douglas Cooper, the art critic and historian, friend of Picasso, and then in a military medical unit. [48]