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  2. Jazz Chants - Wikipedia

    en.wikipedia.org/wiki/Jazz_Chants

    Jazz Chants appeal to students of all ages, and work with large classes, and stimulate pairwork and role-playing activities. [3] Jazz chants improve the students' speaking competence in terms of pronunciation, grammar, vocabulary, fluency and comprehension. [4] Jazz chants help students sound more natural when they speak English. [5]

  3. Aerobics - Wikipedia

    en.wikipedia.org/wiki/Aerobics

    Aerobics is a form of physical exercise that combines rhythmic aerobic exercise with stretching and strength training routines with the goal of improving all elements of fitness (flexibility, muscular strength, and cardio-vascular fitness).

  4. Exercise and music - Wikipedia

    en.wikipedia.org/wiki/Exercise_and_music

    The interplay of exercise and music has long been discussed, crossing the disciplines of biomechanics, neurology, physiology, and sport psychology. Research and experimentation on the relation between music and exercise dates back to the early 1900s, when investigator Leonard Ayres found that cyclists pedaled faster in the presence of a band ...

  5. Rhythm - Wikipedia

    en.wikipedia.org/wiki/Rhythm

    A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical texture. In music of the common practice period, the composite rhythm usually confirms the meter, often in metric or even-note patterns identical to the pulse on a specific metric level.

  6. Dalcroze eurhythmics - Wikipedia

    en.wikipedia.org/wiki/Dalcroze_eurhythmics

    Dalcroze eurhythmics, also known as the Dalcroze method or simply eurhythmics, is a developmental approach to music education.Eurhythmics was developed in the early 20th century by Swiss musician and educator Émile Jaques-Dalcroze and has influenced later music education methods, including the Kodály method, Orff Schulwerk and Suzuki Method.

  7. Counting (music) - Wikipedia

    en.wikipedia.org/wiki/Counting_(music)

    Orff rhythm syllables don't have a specified system. Often, they'll encourage teachers to use whatever they prefer, and many choose to use the Kodaly syllable system. [ 10 ] Outside of this, Orff teachers will often use a language-based model in which the rhythms are replaced with a word which matches the number of sounds in the rhythm.