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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Most of the early 19th-century artists given in the chronological list above have been at some time grouped together under the rubric of "romanticism", including the "realists" (as the Barbizon school) and the "naturalists". Some of the most important are listed here. See also French Revolution, Napoleon I of France, Victor Hugo, orientalism.
Coining the term "Impressionism" Louis Leroy ( French pronunciation: [lwi ləʁwa] ; 1812 - 1885) was a French 19th-century printmaker, painter, and playwright. Biography
The stylistic revolution known as Impressionism, by painters eager to more accurately capture the changing colors of light and shadow, is inseparable from discoveries and inventions in the mid-19th century in which the style was born.
19th-century French art was made in France or by French citizens during the following political regimes: Napoleon's Consulate (1799–1804) and Empire (1804–14), the Restoration (1814–30), the July Monarchy (1830–48), the Second Republic (1848–52), the Second Empire (1852–71), and the first decades of the Third Republic (1871–1940).
Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Frank W. Benson, Eleanor Holding a Shell, North Haven, Maine, 1902, private collection. American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. [1]
Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality (figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in ...