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Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei , a part of the Mass , for mixed chorus with optional organ or piano accompaniment.
Martin Luther wrote the words of the hymn as a translation of the Latin Agnus Dei from the liturgy of the mass. The tune, Zahn 58, [ 1 ] was taken from an older liturgy. The hymn was first published in 1528 and has been the basis for several musical settings by composers such as Bach , Mendelssohn and Hessenberg .
Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that ...
The music is the setting for Barber's 1967 choral arrangement of Agnus Dei. It has been called "America's semi-official music for mourning." Adagio for Strings has been featured in many TV and movie soundtracks.
Salve Intemerata: Agnus Dei; Missa Puer natus est nobis (on the chant) Mass: Puer natus est nobis: Gloria; Mass: Puer natus est nobis: Credo [only a fragment survives] Mass: Puer natus est nobis: Sanctus & Benedictus; Mass: Puer natus est nobis: Agnus Dei; Mass for Four Voices Gloria; Credo; Sanctus; Benedictus; Agnus Dei; Kyrie: Deus Creator
The text of "Dona nobis pacem" is a short prayer for peace from the Agnus Dei of the Latin mass. [1] [2] [3] In the round for three parts, it is sung twice in every line. [4] The melody has been passed orally. [4] It has traditionally been attributed to Mozart but without evidence. [1] English-language hymnals usually mark it "Traditional". [5]
Dona nobis pacem (Latin for "Grant us peace") is a phrase in the Agnus Dei section of the mass. The phrase, in isolation, has been appropriated for a number of musical works, which include: The phrase, in isolation, has been appropriated for a number of musical works, which include:
The best-known part of Lloyd Webber's Requiem, the "Pie Jesu" segment, combines the traditional Pie Jesu text with that of the Agnus Dei from later in the standard Requiem Mass. It was originally performed by Sarah Brightman , who premiered the selection in 1985 in a duet with boy soprano Paul Miles-Kingston ; a music video of their duet was ...