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The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
The wristlock is a technique that can be applied from a stand-up position, simply by grabbing the opponent's hand and twisting and/or bending it in a non-natural direction. It is considered to be a relatively safe technique to practice with a willing opponent, [ 4 ] but if applied suddenly and/or forcefully, a wristlock can cause ligament tears ...
Leung believes Zhou taught him "Elephant Style" which the general later expanded to create the "'108 Locking Hands Techniques' or Ying Sao (Eagle Hand)." [8] There is no evidence that Zhou was ever associated with the Shaolin Temple, though. [9] The general's biographies are also silent about him creating any styles of his own.
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A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
Ngok Fei’s techniques, known as Ying Kuen, acquired a fierce reputation throughout China. Known as the '108 Locking Hand Techniques' or Ying Sao (Eagle Hand), the system consisted primarily of handwork, varying from simple blocking and punching to more complicated grappling, emphasizing the use of grabbing, locking, and pressure point strikes ...
"You can’t expect for each small orgasm to feel like your usual orgasms," Jonathan Stegall, M.D., founder and president of the Center for Advanced Medicine in Atlanta, previously told Men's ...
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.