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One of the series' running jokes revolves around Bender having emotions, when technically he should be an unfeeling machine. Bender is seemingly unaware of his emotions, stating in the episode "Anthology of Interest II", "I mean, being a robot's great, but we don't have emotions, and sometimes that makes me very sad". [26]
In the episode Bender learns that he suffers from a terminal manufacturing defect, effectively rendering him mortal. Bender must cope with his newfound mortality and enlists Hermes Conrad 's help to track down the mysterious quality inspector, Inspector No. 5, whom he blames for allowing him to enter the world only to die.
Futurama Comics is a comic book series based on the television show Futurama published by Bongo Comics.It has been published bi-monthly in the United States since November 2000 (apart from a brief break for the crossover).
As the song ends, Fry and Leela arrive and try to reason with the Robot Devil on Bender's behalf. The Robot Devil tells them that the only way to win back Bender's soul is to beat him in a fiddle-playing contest, as required under the "Fairness in Hell Act of 2275". The Robot Devil goes first, playing Antonio Bazzini's "La Ronde des Lutins ...
Bender returns to Robot Hell to reclaim his body, but the Robot Devil informs him that Fry has survived. In the hospital, Bender prepares to deliver one last scare that will kill Fry, but stops when Fry tearfully reveals that Bender's death taught him the true value of a robot's life. Bender is touched and refuses to kill him.
"The Wild Robot" is based on a popular book series written by Peter Brown. It follows a robot named Roz (voiced by Lupita Nyong'o) who, after ending up on an island inhabited by wildlife, learns ...
In the episode, Bender witnesses a brutal "clamping" committed by the Robot Mafia and is forced into witness protection after his identity is accidentally revealed. Meanwhile, Clamps, a member of the Robot Mafia, takes Bender's old job at Planet Express in an attempt to get information as to Bender's whereabouts.
Bender, who previously worked with King on “Mr. Mercedes” and has directed episodes of “Lost” and “Game of Thrones,” explained during the panel why they made this decision.