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Fruit sellers carrying ceramic jars in front of Sultan Murad III, c. 1582. After the conquest of Constantinople in 1453, the Ottoman sultans started a huge building programme. In these buildings, especially those commissioned by Süleyman, his wife Hürrem and his Grand Vizier Rüstem Pasha, large quantities
Large ceramic container at the Museo Nacional de la Cerámica in Tonalá, Jalisco. A wide variety of traditional low temperature and higher temperature firing techniques are used in the Guadalajara area, to produce ware from cheap objects to artistic productions. The two main pottery producing municipalities are Tonalá and Tlaquepaque. [46]
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
The glaze and the body of the bowl would have been fired together, in a saggar in a large wood-burning dragon kiln, typical of southern kilns in the period. Though many Song and Yuan dynasty qingbai bowls were fired upside down in special segmented saggars, a technique first developed at the Ding kilns in Hebei province.
Itá, Paraguay is another ceramic center, known for its whimsical, ceramic chickens. [79] Rosa Brítez (b. 1941) is a famous ceramic artist from Itá and has been recognized by UNESCO . The Museo del Barro , "Museum of Clay," in Asunción features pottery from the Gran Chaco, from Pre-Columbian Guaraní to contemporary mestizo ceramics.
Qingbai ("Blueish-white") glazed bowl with carved peony designs, Jingdezhen, Southern Song, 1127–1279 Early blue and white porcelain, c. 1335, the shape from Islamic metalwork. Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China.