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Under the Rainbow is a 1981 American comedy film directed by Steve Rash and starring Chevy Chase, Carrie Fisher, Eve Arden, and Billy Barty. [2] Set in 1938, the film's plot is loosely based on the gathering of little people in a Hollywood hotel to audition for roles as Munchkins in Metro-Goldwyn-Mayer's 1939 film The Wizard of Oz.
Billy Barty (born William John Bertanzetti; October 25, 1924 – December 23, 2000) was an American actor and activist. [1] In adult life, he stood 3 ft 9 in (1.14 m) tall, due to cartilage–hair hypoplasia dwarfism.
As far as is known, the film is the world's only Western with an all-midget cast. Many of the actors in Tiny Town were part of a performing troupe called Singer's Midgets, who also played Munchkins in The Wizard of Oz. [5] In 1973 he appeared as Arizona in an episode of Gunsmoke titled "Arizona Midnight".
The loss of a Hollywood great is never easy, but in certain cases, a star's passing comes long before it was their time to go. Talents like Amy Winehouse, Prince, Whitney Houston, Cory Monteith ...
Little Billy Rhodes as The Villain (Bat Haines) (as Little Billy) Billy Platt as The Rich Uncle (Jim 'Tex' Preston) (as Bill Platt) John T. Bambury as The Ranch Owner (Pop Lawson) (as John Bambury) Joseph Herbst as The Sheriff; Charlie Becker as The Cook (Otto) Nita Krebs as The Vampire (Nita, the dance hall girl)
The rambunctious (but cute) 5-year-old was a favorite on set, and the cast all remember him always making up songs. (Two of them actually made it into the film.)
Janet Munro (born Janet Neilson Horsburgh; 28 September 1934 – 6 December 1972) was a British actress.She won a Golden Globe Award for her performance in the film Darby O'Gill and the Little People (1959) and received a BAFTA Film Award nomination for her performance in the film Life for Ruth (1962).
[3] In the 1960s, Fantastic Voyage featured miniature people, but no major film revisited the concept until the 1980s. Grantland ' s Claire L. Evans said in 2015, "The conceit, being inherently silly, was reframed as a vehicle for broad physical comedies and family movies." She said, "These kinds of films reframe domestic life—a bowl of ...