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The film had practically no budget as it involved only Sandberg and Losten. [1] The film involved two lights and two rooms. In particular, he used a Blackmagic cinema camera with a Tokina 11-16 lens, a Zoom H4N with a Røde NTG1 microphone, a paper lantern from IKEA, a 375-watt photo bulb, a Chinese knockoff redhead light from eBay, a Manfrotto tripod, a homemade dolly with PVC pipe, a piece ...
Schematic of a conventional and a periscope zoom lens A smartphone with a 5x optical zoom periscope lens camera, recognizable by the rectangular shape of its lens. A periscope lens, sometimes called a folded lens, is a mechanical assembly of lens elements that uses a prism or mirror to redirect the light through the lenses with a 90° angle to the optical axis, as in a periscope.
Basically a stripped down Minolta SR-2 with shutter speeds reduced to 1/500 of a second rather than the SR-2's 1/1000 of a second. Next came the Minolta SR-3. The camera had an ability to mount a selenium meter, which was then linked to the shutter speed. This particular camera was released in 1960, two years before the release of the SR-7.
In cinematography, perspective distortion also has bearing on the in-camera special effect known as the dolly zoom, in which a zoom lens zooms out at the same time as the camera moves toward the subject, in such a way as to keep the subject the same size in the frame while the background "changes size" relative to the subject.
Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation about the optical axis (). [1]
A zoom lens is a system of camera lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens . A true zoom lens or optical zoom lens is a type of parfocal lens , one that maintains focus when its focal length changes. [ 1 ]
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In filmmaking and television production, zooming is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. But unlike changes ...