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Filippo Lippi, Adoration in the Forest, by 1459 Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the ...
Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 – 22 September 1607) was an Italian painter of the late Mannerist Florentine school. Biography [ edit ]
Florentine figure painting had mainly stressed linear and sculptural figures. For example, the Christ in Michelangelo's Last Judgment in the Sistine Chapel is a massive painted block, stern in his wrath; by contrast, Pontormo's Jesus in the Last Judgment twists sinuously, as if rippling through the heavens in the dance of ultimate finality.
Diana the Huntress - School of Fontainebleau, 1550–1560, (Louvre). The School of Fontainbleau (French: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian ...
Moses Defending the Daughters of Jethro by Rosso Fiorentino (c.1523) at the Uffizi Gallery, Florence.. Giovanni Battista di Jacopo (8 March 1495 [a] – 14 November 1540), known as Rosso Fiorentino (meaning "Florentine Redhead" in Italian) or Il Rosso ("The Redhead"), was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school.
Arguably the most influential school of western art history, and for many synonymous with Renaissance art. I don't know what importance rating this attracts but presume it needs to be pretty high. Can someone competent assess it please? Also, it is really incomplete it deals with the 14C really well, but then stops before the main game in the 15C.
Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance.His book The Drawings of the Florentine Painters was an international success.
In the first phase of his career, Piero was influenced by the Netherlandish naturalism of Hugo van der Goes, whose Portinari Triptych (now at the Uffizi Gallery in Florence) helped to lead the whole of Florentine painting into new channels. From him, most probably, Cosimo acquired the love of landscape and the intimate knowledge of the growth ...