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The choice of collar can reflect the personalities and tastes of the dominant and submissive, as well as the nature of their relationship. For many, wearing a collar is a deeply meaningful act that symbolizes commitment, trust, and the power dynamics between partners. [3] Some submissives may wear "day-collars".
Female model posed as a submissive wearing a collar in the design of the Ring of O. The first film adaptation of the novel Story of O showed a design consisting of a cylindrical steel ring with an attached ball holding an even smaller toroidal ring (which could swivel in one direction). This alluded to the leather collar and bracelets, each ...
The name comes from the Russian phrase kosoy vorot (косой ворот), meaning a “skewed collar”. It was worn by all peasants in Russia — men, women, and babies — in different styles for every-day and festive occasions.
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
Spread collars measure from around 3 + 1 ⁄ 2 to 8 + 1 ⁄ 2 inches (89 to 216 mm) between the collar points. There are various styles of collar, which is the primary indicator of the formality of a shirt. [3] Those discussed here are all attached collars, not styles specific to detachable collars. The very top button is number 1.
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A dickey with a placket of ruffles and pleats, and a low band-collar. (1915) Celluloid dickeys were popular for their waterproof and stain-resistant properties. Unlike traditional cloth shirt-fronts, they remained sleek, bright white, and did not wilt or wrinkle. Celluloid dickeys simulated the look of a formal shirt bib for day and evening wear.